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The rest of the winter vacation
seemed to go by quickly. I spent the next few days after Christmas
getting ready for my New Year's Eve performance at the pub, alternating
between rehearsals with the band in the afternoon, and practicing with
Cody a couple more times. I didn't bring up the topic of Toby, and he
didn't mention it either. I decided to just wait and see what happened,
although I figured if one of them didn't call the other within the next
week or so, I was probably going to have to get involved.
As with the previous two times I had hung out with Cody at his house,
he asked to kiss me. And each time I couldn't bring myself to refuse. I
did feel bad about kissing Cody while I was with Ryan, and especially
because Toby was the one I was hoping Cody would be kissing. But when I
felt his
tongue swirling around in my mouth, it was hard to stop. Fortunately,
he never went any further than that, or I might have been in trouble.
Both Ryan and Cody accompanied me to the pub on New Year's Eve. Maggie
still wouldn't let Toby go, but fortunately the show started at ten
o'clock, and would only last an hour, so we had plenty of time to get
back home and welcome the New Year together. Ryan was
uncharacteristically quiet during the car ride and as we walked into
the pub, although he still managed to give me a few smiles. I figured
he was probably missing his father a bit, like Toby, and didn't think
anything else of it.
I never really got nervous before a show, but this night I was feeling
a few stray butterflies flapping around in my stomach, most likely
because I hadn't played with a full band in quite a long time. However,
rehearsals had gone well, and I was sure that it was going to be a good
show. The place was packed, far more than usual, and quite rowdy as
well.
I got changed into my all-black suit, and put on a black Fedora and
plain black sunglasses that I had picked up at the mall a few days
earlier. When I looked in the mirror, I thought I looked a little like
a cross between a jazz musician and a gangster, or maybe the "Blues
Brothers." It was kind of cool. As
I
waited on the side of the stage, the drummer began beating out a slow
rhythm, with the bass player joining in a few moments later, gradually
picking up the tempo. Shortly after that, the guitarist and synthesizer
player joined in with some powerful rock 'n' roll riffs, settling into
a mid-tempo instrumental improvisation.
After about five minutes, they sleekly segued into the opening of Elton
John's classic rocker "The Bitch is Back," and I made my entrance,
acknowledging the cheers from the crowd with a wave and a slight bow,
then walking over to the piano, adjusting the microphone, and
immediately tearing into the song. It felt exciting and energizing to
have a band backing me up, fueling the intensity of my playing. Towards
the end of the song, we smoothly segued into the Rolling Stones' "Brown
Sugar," without missing a beat. By the time we were finished with our
opening medley, the crowd was cheering loudly, and I was happy to see
the smiling faces of Ryan and Cody right up in the front row.
After thanking the audience for coming, we started right in on the
Beatles' "Come Together," and continued on with T. Rex's "Children of
the Revolution," Led Zeppelin's "Rock and Roll," and Fleetwood Mac's
"Don't Stop." The band then took a break while I did a short solo set,
consisting of my favorite country song, "He'll Have To Go," Billy
Joel's "An Innocent Man," and a tongue-in-cheek version of Tammy
Wynette's "Stand By Your Man" (during which I managed to throw Ryan a
few goofy grins).
The band then rejoined me for one final rock and roll blow out, with
The Rolling Stones' classic rocker "Start Me Up," Elton John's
"Saturday Night's Alright (For Fighting)," The Beatles'
"Hard Day's Night," and finally, "Great Balls of Fire," complete with
me
kicking away the piano stool toward the end and playing from my knees.
After I hit the last notes, the crowd went wild, and although I was
physically tired from the hour-long performance, I still felt
emotionally charged. It was a fantastic show, and I felt great about
myself.
I knew that Mr. Bill would expect me to do an encore, so I quickly went
back to the back room to change into my track suit and Detroit Lions
ball cap, then made my way back out on stage to find the audience still
clapping and whistling loudly. I noticed that Ryan and Cody were both
beaming, and they were probably the two loudest "fans" in the whole
place.
I sat down at the piano by myself, the band having retreated from the
stage, and readjusted my microphone before addressing the audience.
"Thank you very much for coming tonight, everyone. I hope you all have
a happy and safe New Year. This one is from all of us to all of you ...
and especially a certain someone in the front row ... you know who you
are," I said, giving Ryan a wink.
I then began playing the familiar opening bars of Elton John's "Your
Song," putting all of my energy, passion, and emotions into my piano
playing and vocals, and smiling at Ryan several times. I hoped he got
the message of what I was trying to say through the music. I finally
closed out the show with a soaring, powerful rendition of Billy Joel's
"2000 Years," from his Millennium Concert, the perfect song for what I
was hoping would be a perfect New Year.
As soon as I was finished, I gave a quick bow to the audience, and
darted off stage, ready to get home and spend the rest of New
Year's Eve with the McCormacks. I was definitely wired by the time we
got to the car, but although I got a warm hug from Ryan, he was still
unusually quiet and pensive, although Cody was practically gushing
about the performance.
As Cody and I were talking excitedly about the
show, I noticed Ryan giving me a few furtive glances out of the corner
of my eye, but I decided to just let it go. I was too excited to let
myself get bummed out. I figured if there was something on Ryan's mind,
he would tell me.
We dropped Cody off first, then headed home to ring in the New Year
together. Fortunately, Ryan seemed to be in better spirits when the
clock struck midnight, and we shared a nice kiss. I even got a big kiss
(on the lips!) from Toby, and a kiss on the cheek from Maggie. We then
shot off a bunch of party poppers, each had a glass of champagne --
with Maggie warning me never to drink alcohol if I was taking the
anti-anxiety medicine -- and then we all plodded off to bed.
When we got in bed, I was kind of in the mood for a little love-making
with my boyfriend, but Ryan said he was too tired. It had been a pretty
long
and tiring day, so I didn't complain. We just cuddled up together
and went right to sleep, no doubt assisted by the champagne.